Interviews & Reviews

❧ “Of Black Milk, Black Bodies, and Accepting the Muchness in Lyrical Poetry: A Conversation with Tiana Clark,” The Rumpus;

❧ “The Mini-Interview with Didi Jackson,” The Rumpus;

❧ “‘alchemic / exchange / we fade bruises here’: Rajiv Mohabir on editing I Will Not Go: Translations, Transformations & Chutney Fractals,” Asymptote;

❧ “The History Remains Unquiet: A Conversation with Brandon Shimoda about The Afterlife is Letting Go” Tupelo Quarterly;

❧ “The Moon Between Them: A Conversation about Grief, Love, and Ill-Fitting Shoes with Lauren Aliza Green, author of The World After Alice” Tupelo Quarterly;

❧ “A Conversation with Esteban Rodríguez about Lotería,” The Adroit Journal;

❧ “What Was Haunting Me Was Not Myself: A Conversation with Morgan Parker,” Los Angeles Review of Books;

❧ “John Reed with Tiffany Troy: The Other Orwell and his Bootlicking Lackeys,” Brooklyn Rail;

❧ “A Conversation with Dara Barrois-Dixon about Nine,” The Adroit Journal;

❧ “I have only ever wanted the red sky to turn blue: A Conversation with Mary Jo Bang about A Film in which I Play Everyone” Rain Taxi;

❧ “i strike where my cunning becomes feminine: A Conversation with India Lena González about fox woman get out!” Tupelo Quarterly;

❧ “Over time, the most foreign of sounds can feel natural in the mouth: A Conversation with Valerie Hsiung about To Love an Artist” Matter;

❧ “I bask, a fugitive from the confines of my own words: A Conversation with Margo Jefferson about Constructing a Nervous System“ Tupelo Quarterly;

❧ “She takes the open fifths into the choir of her heart: A Conversation with Marianne Worthington about The Girl Singer” Tupelo Quarterly;

❧ “to return to dying between two cupped hands: A Conversation with James Fujinami Moore about indecent hours“ Tupelo Quarterly;

❧ “Another Me Exists in a Cabin by the Lake: A Conversation with Andrew Grace about Sancta (with Emma O’Leary)“ Tupelo Quarterly;

❧ “Rubbing a pummeled sky: A Conversation with Yerra Sugarman about Aunt Bird” Tupelo Quarterly;

❧ “An Interview with Sean Singer about Today in the Taxi,” Compulsive Reader;

❧ “The cosmos in the daffodils: A Conversation with Translators Marci Calabretta Cancio-Bello and E.J. Koh about The World’s Lightest Motorcycle by Yi Won,” The Adroit Journal;

❧ “I want to visit what once was a God and became poetry, became shard: A Conversation with Aviya Kushner about Wolf Lamb Bomb,” EcoTheo Review;

❧ “The Sky Never Left the Sky: A Conversation with Mai Der Vang about Yellow Rain,” Heavy Feather Review

❧ “Rudderless in the samidare-rain: On Naoko Fujimoto’s Reinterpretation of Heian Period Japanese Woman Poets in 09/09 Nine Japanese Female Poets/ Nine Heian Waka Poems,” Asymptote;

❧ “A Review of A Cha Chaan Teng That Does Not Exist by Derek Chung and translated from the Chinese by May Huang,” The Inflectionist Review;

❧ “A Review of 11 by Carlos Soto Román, Translated from the Spanish by Alexis Almeida, Daniel Beauregard, Daniel Borzutzky, Whitney DeVos, Jèssica Pujol Duran, Patrick Greaney, Robin Myers, and Edited and Translated by Thomas Rothe,” RHINO Poetry;

❧ “Review of Norman Finkelstein’s Further Adventures” The Colorado Review;

❧ “Review of Nancy Naomi Carlson’s Piano in the Dark” The Colorado Review;

❧”Tiffany Troy finds Daniel Magariel’s new novel an imperative, Delphic hymn to change: A review of Daniel Magariel’s Walk the Darkness Down,” Hong Kong Review of Books;

❧ “Review of Jennifer Franklin’s If Some God Shakes Your House” Hong Kong Review of Books;

❧ “Review of Triptychs by Sandra Simonds“ Rain Taxi, print, vol. 110;

❧ “A Review of Behind the Tree Backs by Iman Mohammed translated by Jennifer Hayashida” The Rupture;

❧ “A Review of Dear Diaspora by Susan Nguyen” The Rupture;

❧ “Hear them sing—flickering wings: A Review of Heidi Seaborn’s An Insomniac’s Slumber Party with Marilyn Monroe,” Tupelo Quarterly;

❧ “As far as a bird can fly: A review of Laurel Nakanishi’s Ashore,” Tupelo Quarterly/ vol. 24;

❧ “Finding Fruits in My Palms: A Review of Katie Farris’s A Net to Catch My Body in Its Weaving,” Heavy Feather Review;