❧ CREATIVE WRITING☙
❧ “If I have grandchildren with this accent” by Ana Carolina Quiñonez Salpietro,” translated from the Spanish, Guernica (forthcoming);
❧ “My teenage room” by Ana Carolina Quiñonez Salpietro,” translated from the Spanish, The Queens Review (forthcoming);
❧ “Bone Broth” and “Dead Horse Bay,” by Santiago Acosta, co-translated from the Spanish with the Women in Translation Project at University of Wisconsin-Madison and the author, Constellation: Latin American Voices in Translation (Sundial House, Columbia University Press) (forthcoming);
❧ “Never Surrender Your Heart to a Nuclear Power Plant,” by Santiago Acosta, co-translated from the Spanish with the Women in Translation Project at University of Wisconsin-Madison and the author, The Ecopoetry Anthology: Volume II (Trinity University Press) (forthcoming);
❧ “Dead Horse Bay,” by Santiago Acosta, co-translated from the Spanish with the Women in Translation Project at University of Wisconsin-Madison and the author, World Literature Literature Today (March 2024);
❧ “Son of a Policeman,” by Santiago Acosta, co-translated from the Spanish with the Women in Translation Project at University of Wisconsin-Madison and the author, Poetry Northwest;
❧ “Never Surrender Your Heart to a Nuclear Power Plant,” “In the Line of Fire,” and “Dead Horse Bay,” by Santiago Acosta, co-translated from the Spanish with the Women in Translation Project at University of Wisconsin-Madison and the author, Latin American Literature Today (English translation) (Spanish original);
❧ “Atlas” and “Y2K” by Santiago Acosta, co-translated from the Spanish with the Women in Translation Project at University of Wisconsin-Madison and the author, On the Seawall;
❧ “diamond & rust” (sections 1 and 2) by Catalina Vergara, translated from the Spanish, International Human Rights Art Festival
❧ “On the Extraordinary,” Bennington Review;
❧ “Sea Floor,” BOMB Magazine;
❧ “Google” in Poet of the Week feature by Brooklyn Poets;
❧ “The Sky” in interview with Mary Jo Bang about Dominus, Poetry Society of America;
❧ “Train” and “Plus Ultra,” Matter;
❧ “I Smell Summer,” The Banyan Review;
❧ “Crocodile State,” Passengers Journal;
❧ “Telos,” “Bagel Oasis,” “My Mother as Wallpaper,” and “Spring Rhythm,” New World Writing;
❧ “A Thank You Card,” and “Wedding-Bound Million-Dollar Dream,” As It Out To Be;
❧ “Imagine the sky without twilight,” Moss Puppy;
❧ “An Elegy to the Venus of Willendorf,” “When Angels Sing,” and “Aftermath at the Foot, Repenting,” Marbled Sigh;
❧ “This,” “Valley of Ashes,” and “Shepherd of Troy,” Encephalon Journal;
❧ “In the Spirit of Christmas,” Some Kind of Opening;
❧ “Hermione Granger” and “America in the Year of the Pig,” Mason Street;
❧ “We’ll play Symphony 40 in G Minor through the dark night,” The Minison Project Sonnet Collection Series;
❧ “A Familial Scene“, As It Ought to Be;
❧ “Shepherd Girl,” Roi Fainéant;
❧ “Squirrel on an October Late Afternoon,” Moot Point;
❧ “What’s Left of the Majesty of Children,” The Pine Cone Review;
❧ “Pretext,” Snakeskin